The Concept of the Millennium Festival
The objective of the festival is to cast light on quality documentary films which deal with subjects essentially linked to the 8 Millennium Objectives and bring together artists, committed intellectuals, those engaged in development and the public in order to debate this. The films that are programmed have in common the authenticity of the directors approach and the cinematic quality of the films.
Everything starts with the willingness to open oneself to others, to make an effort to go beyond face values, to overcome preconceived ideas and to be interested in the political, economic, cultural and religious contexts that shape the lives of others. This step, which can be common to documentaries and development alike, is essential in order to discover their reality and should in our eyes precede all action.
The documentary
The film industry concedes a third-world place in the world economy for the documentary. It is exploited, folded, and thrown out in the late hours of television or on unlikely screens of rare cinemas. At first sight, the situation of documentary makers seems unenviable. At a second glance – and the gift of double vision is indispensable for documentary makers – this situation is not as fragile as it seems.
Firstly, because the situation in which documentary makers find themselves itself incites them to develop an energy, an astuteness, an a survival instinct to have the vigilance of a wild cat in regard to the social and political reality and to move directly in opposition, forever unreconciled.
Secondly, because in the same way that the third world is the object of all covetousness, due to its famous “under-ground riches”, no other genre of cinema appears so rich in potential invention, audacity and reinvention.
Thirdly because documentary cinema is, from this point on, the only to assume a moral, political point of view, abandoned by fiction. **
** (Quotation from Gérard Mordillat in “Images Documentaries” number 26/27)
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